Director Rating
150
Trophy Case
Achievements
Achieved Level 50
10,000 Influence
Scored a 80
500 Attendees
100 Posts
Season Participation
2
3
4
5
10
11
18
19
20
36
About
SPC Douglas A. Olmstead, 126 Army Band "The Governor's Own", tubist, euphoniumist, arranger.
2008 - Dutch Boy DBC - Drum Majour
2012, 2014 - Kilties DBC - contra
2008 - Dutch Boy DBC - Drum Majour
2012, 2014 - Kilties DBC - contra
Shamrock Marching Band
Group Description
Level: 32
Influence: 4162
Hometown: Dublin, Ireland
The now defunct alumni band for Druids members, ran by the Irish Arts Academy. Took the gold twice in a row, Season 3 and 4.
Influence: 4162
Hometown: Dublin, Ireland
The now defunct alumni band for Druids members, ran by the Irish Arts Academy. Took the gold twice in a row, Season 3 and 4.
Events Hosted
Seasons
Choose Season: 1
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Show Title
Carmen
Repertoire
Mvt. 1: "Prelude to Act I" setting up the mood of the townspeople milling around the square in Seville. With Spanish exoticism permeating the atmosphere, Carmen is introduced and begins to exhibit the flair that makes her so appealing to men.
Mvt. 2: "Intermezzo" is from the original’s Prelude to Act III. The music is emotional and allows the guard interprets the concept through the use of movement.
Mvt. 3: "March of the Toreadors/Allegro Moderato" The music becomes more sinister and dark, allowing the percussion to explore the more ominous sound effects available. The music segues into perhaps the most famed of the melodies, euphoric and vivacious, comes to the fore as the bullfighter in the storyline is celebrated.
Mvt. 4a: "Finale (Down Ending Version)" is from the end of the opera, where a jilted lover kills Carmen and the famed bells theme peals out, mourning the loss of the title character. The down ending allows the band to capture the emotional content that is synonymous with the death of Carmen.
Carmen
Repertoire
Mvt. 1: "Prelude to Act I" setting up the mood of the townspeople milling around the square in Seville. With Spanish exoticism permeating the atmosphere, Carmen is introduced and begins to exhibit the flair that makes her so appealing to men.
Mvt. 2: "Intermezzo" is from the original’s Prelude to Act III. The music is emotional and allows the guard interprets the concept through the use of movement.
Mvt. 3: "March of the Toreadors/Allegro Moderato" The music becomes more sinister and dark, allowing the percussion to explore the more ominous sound effects available. The music segues into perhaps the most famed of the melodies, euphoric and vivacious, comes to the fore as the bullfighter in the storyline is celebrated.
Mvt. 4a: "Finale (Down Ending Version)" is from the end of the opera, where a jilted lover kills Carmen and the famed bells theme peals out, mourning the loss of the title character. The down ending allows the band to capture the emotional content that is synonymous with the death of Carmen.
| Date | Event | Score | Place |
|---|---|---|---|
| 1/21/11 | Marching Band Semifinals - Division II | 57.890 | 20 |
| 1/20/11 | Marching Band Prelims - Division II | 57.890 | 18 |
| 1/18/11 | Highland Classic | 57.890 | 3 |
| 1/17/11 | UNFMA-Marching Band | 57.890 | 4 |
| 1/15/11 | 12th Annual Music of the Night Show | 57.890 | 3 |
| 1/14/11 | Patterns of Sounds Competition | 57.890 | 6 |
| 1/13/11 | BPAA Contest of Champions | 57.890 | 5 |
| 1/8/11 | 3rd Annual FMAMB Dublin | 57.890 | 4 |
| 1/7/11 | FMA Louisiana | 57.890 | 6 |
| 1/6/11 | FMA West Coast | 57.890 | 11 |
| 1/2/11 | 4th Annual Crown Classic | 57.890 | 2 |
| 12/30/10 | Mid TN Showcase | 57.890 | 2 |
| 12/29/10 | FMA Indianapolis | 57.890 | 6 |
| 12/27/10 | Carpe Diem | 57.890 | 4 |
| 12/23/10 | FMA Season 5 Preview | 57.890 | 4 |
| 12/21/10 | Sneezapalooza | 57.010 | 3 |