June 23rd, 2023 8:53pm
Division 3 - Silver Medal
As the dust settled after the whirlwind of a competition at the Unspecified Fantasy Marching Arts event, my attention lingers on the astounding performance of the St. Louis Starriders. The corps, hailing from St. Louis, Missouri, held their own against the stiff competition in Division 3 and secured a well-deserved second place.
Their show, aptly titled "Her Point of View," was an intricate weave of music and visual artistry, enrapturing the audience with each beat and step. The repertoire, featuring pieces from Holdridge's "East of Eden," Sting's "El Tango de Roxanne," Wilby's "Paganini Variations," Feeney's "Dracula," and Howard's "King Kong," was indeed a feast for the senses.
The Winds, with their stunning execution of the chosen pieces, were a standout. Achieving a score of 7.420, they showcased their talents impressively. Their rendition of "El Tango de Roxanne" was particularly memorable, their playing eliciting an audible gasp from the audience at the powerful delivery. However, there were some noticeable synchronicity issues in the complex parts of "Paganini Variations" that seemed to have impacted their score.
Percussion, with a score of 7.425, was an energetic force throughout the performance. The powerful drumming in "Dracula" was a show-stopper, bringing an intensity that perfectly captured the dark undertones of the piece. The only weakness was a slight lack of precision during the transitions, which may have cost them points.
With a Music Ensemble score of 7.535, the Starriders truly shone. The way the winds and percussion blended seamlessly, especially during the haunting melodies of "East of Eden," was a testament to their musicality. Their synchronization, while largely excellent, had brief lapses, which I suspect affected their score.
Visual Performance, scoring a 7.425, was another strong aspect of their performance. The choreography was a vibrant embodiment of the music, most notably during "King Kong," where the performers mimicked the movements of the giant ape, much to the delight of the audience.
The Color Guard, with a 7.420, added a spectacular visual component to the performance. Their choreography during "El Tango de Roxanne," involving red scarves, added a sensuality that enhanced the piece. However, there were a few minor drops that likely impacted their score.
Visual Ensemble, scoring a 7.570, demonstrated precise drill formations and synchronized movements. They, however, lacked the impactful moments of drama that could have heightened the performance's overall impact.
The Music General Effect, with a score of 14.815, truly demonstrated the show's thematic consistency. The arrangement and performance choices resonated with the audience, evident in their reactions, but could use some refining to enhance the emotional journey.
Similarly, Visual General Effect, with a 14.810, effectively brought the theme to life visually. The use of color and movement was excellent, though there were moments where the connection between the visuals and the music could have been stronger.
Despite their second-place finish, the St. Louis Starriders are to be commended for their remarkable performance. Their musical skill, visual prowess, and overall stage presence have left an indelible mark on this competition. I eagerly await their next performance and have no doubt they will continue to captivate their audience.
Bravo, Starriders!